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TIE 14th March


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Sarah Kane Performance - Blasted Monologue

For the performance of this piece I have formed a monologue from the graphic, horrendous yet tender speeches of the Soldier: ----------------------------- I have. Col. Fucking beautiful. Close my eyes and think about her. She’s –  She’s –  She’s – She’s – She’s dead, see. Fucking bastard soldier, he – They buggered her. Cut her throat. Hacked her ears and nose off, nailed them to the front door. You don't know fuck all about me. I went to school. I made love with Col. Bastards killed her, now I’m here. Now I’m here. You never fucked by a man before? Didn't think so. It’s nothing. Saw thousands of people packing into trucks like pigs trying to leave town. Women threw their babies on board hoping someone would look after them. Crushing each other to death. Insides of people’s heads came out of their eyes. Saw a child most of his face blown off, young girl I fucked hand up inside her trying to claw my liquid out, starving man eating h...
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Sarah Kane Research

Sarah Kane was a young, very controversial English contemporary playwright and poet during 1990's. Her works revolve around themes of love, torture, sex and death and are well-known for including very graphic on-stage torture and violence. Her work has been labelled with the term 'In-yer-face theatre' by the critic Aleks Sierz, this type of theatre includes the works of Anthony Neilson and Mark Ravenhill. In her short lifetime she wrote five plays (Blasted, Phaedra's Love, Cleansed, Crave, 4.48 Psychosis)  and one short film (Skin).  Kane struggled with severe depression towards the end of her life and eventually killed herself in 1999. This affected her life and her writing in an extreme way, her fellow playwright and friend Mark Ravenhill described in her obituary that 'Kane fell out of love with life. And so began great, harrowing cycles of depression, self-hate and hospitalisation.'  In terms of her inspirations and motives, Kane was deeply affected by ...
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